I am drawn to Degas' art, largely due to its subject matter, but also there is a raw sense of reality in his work. I published a paper as an undergrad dance major at BYU on his ballet paintings, and the juxtaposition of a graceful dancer tucking in her laces or scratching her back are timeless and charming. I had not had the opportunity to see his equine sculptures in person before our trip to The Met and I really enjoyed these sculptural sketches of gesture and form.
March 31, 2016
The Met - Degas' Sculptures
I am drawn to Degas' art, largely due to its subject matter, but also there is a raw sense of reality in his work. I published a paper as an undergrad dance major at BYU on his ballet paintings, and the juxtaposition of a graceful dancer tucking in her laces or scratching her back are timeless and charming. I had not had the opportunity to see his equine sculptures in person before our trip to The Met and I really enjoyed these sculptural sketches of gesture and form.
March 30, 2016
The Met - Equine Art
Wolf and Fox Hunt by Peter Paul Rubens, circa 1616 |
The Horse Fair by Rosa Bonheur, circa 1852-1855 |
Ernest Meissonier by Lyons French, circa 1807 |
Bronze by Antoine-Louis Barye, circa 1840's |
March 29, 2016
The Met - Armor and Saddles
The craftsmanship of the armor and historical tack at the Met is beautiful. It is all kept in glass cases, which makes getting great photos with an iPhone a little tricky, but I hope that you can enjoy the beauty of these pieces and maybe even find use for them as reference photos. Some of the photos include the descriptive cards. If you click on the photo, it will blow it up and hopefully you can read the descriptions.
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